If you saw the title of this post and it sparked an emotional reaction, you’re more than likely an Ashtangi. That is the first line of the traditional opening invocation that begins an Ashtanga practice. (To be precise, an “aum” is chanted first. For more on “aum,” often written as “om,” see this handy little YogaJournal.com beginner’s guide on yoga chants.)
For various reasons, the invocation has been the topic of a few conversations I’ve had with yogis in the last couple of weeks — some because they are relatively new to the practice, and some by way of discussing personal philosophy. As a teacher, for example, should you always include the chant, no matter what the setting for a class?
To me, the Ashtanga opening invocation is about honoring the teachers who came before our teachers — about honoring those who have helped clear the path before us. We have to walk this journey of life ourselves, but the teachings of history’s gurus can provide us with invaluable wisdom and comfort. I think chanting this invocation changes the quality and the intention of a practice. Sounds and the stories told in lyrics can change our moods and perception in other aspects of our lives — why not in a yoga practice? On my resources page, I link to this translation and recording of the invocation, as chanted by Pattabhi Jois himself. It’s beautiful in the depth and starkness of its simplicity.
This brings me to Madonna.
Unless you’re so young that you make me feel even older than I am (in which case, please don’t remind me), you probably sort of remember Madonna’s album Ray of Light. It came out in 1998, when I was finishing up journalism grad school. This was about a year before I set foot in my first yoga studio, and probably a couple years before I discovered Ashtanga yoga. So while I’m sure I’ve heard this song before — because one of my suitemates bought this album when it was released — I didn’t know what I was listening to at the time.
Madonna, as you can imagine, does not go for simplicity. She sets this invocation to a trance-ish beat. Watch her live performance of this song at the MTV Video Music Awards in 1998 — all garbed up in an Indian-inspired look to boot — or listen to the Dubtronic Cosmos Trance Remix, if you can’t get enough. There are other remixes as well, but you get the point.
For the record, I have this rather cool Tumblr blog to thank for reminding me that this song exists.
Does it drive you crazy that Madonna took the invocation and made a pop track out of it? Or do you think there’s something to be said for her reimagining tradition?
By the way, I know that this is the second blog post in as many months in which I’ve written about Madonna. (I posted “How to lose a practice in 10 days (or, what Madonna can teach us all about maintaining a yoga practice during the most hectic travel time of year)” over the holidays.) I promise not to make this habit. It’s just that as a former reporter, I am trained to follow news pegs. Madonna just seems to be flitting across my radar screen lately, and both as a journalist by training and a yogi by practice, I have learned to go with the flow.